Between Cheeks
2025
NOON Projects
Los Angeles, CA, United States Of America
At the core of Between Cheeks is an exploration of poetry and language’s power to critique, shape, and forge society and history. Inkerö’s series of autobiographical poetry paintings merges text and materials, using narrow horizontal canvases as a site for experimentation. Furniture and house paints—chosen for their connection to bodily fluids and domesticity—are scraped, layered, and painted over, evoking the cyclical nature of lived spaces, like apartment walls being repainted after a breakup. The poems, dripped and smeared onto the canvases in a process reminiscent of Jackson Pollock’s action painting, create a visceral interplay of text and texture.

Works such as Can we talk tonight? and In the park And by fire we found a mutual Sense of us… evoke inner dialogue or conversations between new lovers, while Before this we just licked them and On this flat earth we lay reflect the fragmented ways we encounter language in modern life—through text messages, tweets, stranger-than-fiction news headlines, safety signage, and gossip. Inkerö’s works also engage with the historical canon of queer art, referencing Derek Jarman’s autobiographical paintings on HIV/AIDS and Felix Gonzalez-Torres’ text-based installations that span entire galleries.

The exhibition further investigates metaphors of gaps, orifices, and holes, extending these ideas to themes of loss, ambiguity, and openings. These concepts resonate in Inkerö’s film A Taste of Every Dish You’ve Ever Eaten, commissioned by Somerset House in London. Created in collaboration with Juulia Haverinen and Sam Taskinen, the film combines poetry, operatic soundscapes, and a fragmented narrative. Described by Inkerö as a “poetic meditation” on memory, identity, and sensory experience, the film’s lyrics and dialogue reverberate throughout the gallery, reinforcing the exhibition’s focus on ambivalence and fluidity.

In the park

and by fire we found a mutual

sense of us

whats

the first thing we desired

beach

you and I should be hanging out in thongs

be

oiling each other up

if you reduce someone to two dimensions

wants

origin


Acrylic furniture paint on canvas and linen, 2024

117 x 67 in. | 297.2 x 170.2 cm

Harmlessness

Acrylic furniture paint on linen, 2024

12 x 45 ¾ in. | 30.5 x 116.2 cm


Oral history is full of holes

Acrylic furniture paint on canvas, 2024

8 x 63 in. | 20.3 x 160 cm

We found a new home in renovations, hospitals, magazines and between cheeks

Urethane enamel on canvas, 2025

8 x 166 in. | 20.3 x 421.6 cm

On this flat earth we lay

Acrylic furniture paint on linen, 2024

8 in x 67 in. | 20.3 x 170.2 cm


Memory is just imitations of reality, this is how you are with no mirror

Acrylic furniture paint on canvas and linen, 2024

9 ½ x 130 in. | 41.1 x 330.2 cm

Or

Ever

Acrylic furniture paint on linen, 2024

24 x 23 ¾ in. | 61 x 60.3 in.

I met a guy who is a lesbian chimera

Acrylic furniture paint on linen, 2024

6 ½ x 102 ½ in. | 16.5 x 260.4 cm

I was a cow you named boy

Urethane enamel on canvas, 2025

9 x 50 in. | 22.9 x 127 cm

I am just an entrance

Acrylic furniture paint on linen, 2024

9 ½ x 51 in | 24.1 x 129.5

Starlessness

Urethane enamel on canvas, 2025

9 x 50 in. | 22.9 x 127 cm


Can we talk tonight

Acrylic furniture paint on canvas, 2024

8 x 67 in. | 20.3 x 170.2

A Taste of Every Dish You’ve Ever Eaten

4K Video with stereo sound, 2024

16 min 48 sec.

Before this we just licked them

Acrylic furniture paint and Urethane enamel on linen, 2025

9 ¾ x 51 ¼ in. | 24.8 x 130.2 cm

Photography: Josh Schaedel